Angelou Maya
Maya Angelou born Marguerite Ann Johnson (April 4, 1928 - May 28, 2014) was an American author and poet.
She published seven autobiographies, three books of essays, and several books of poetry, and is credited with a list of plays, movies, and television shows spanning more than fifty years.
She received dozens of awards and over thirty honorary doctoral degrees. Angelou was best known for her series of seven autobiographies, which focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of seventeen, and brought her international recognition and acclaim.
Angelou's list of occupations includes pimp, prostitute, night-club dancer and performer, castmember of the opera Porgy and Bess, coordinator for the Southern Christian Leadership Conference, author, journalist in Egypt and Ghana during the days of decolonization, and actor, writer, director, and producer of plays, movies, and public television programs.
Since 1982, she had taught at Wake Forest University in Winston-Salem, North Carolina, where she held the first lifetime Reynolds Professorship of American Studies. She was active in the Civil Rights movement, and worked with Martin Luther King, Jr. and Malcolm X. Since the 1990s she made around eighty appearances a year on the lecture circuit, something she continued into her eighties.
In 1993, Angelou recited her poem On the Pulse of Morning at President Bill Clinton's inauguration, the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's inauguration in 1961.
With the publication of I Know Why the Caged Bird Sings, Angelou publicly discussed aspects of her personal life. She is respected as a spokesperson of Black people and women, and her works have been considered a defense of Black culture. Although attempts have been made to ban her books from some US libraries, her works are widely used in schools and universities worldwide. Angelou's major works have been labeled as autobiographical fiction, but many critics have characterized them as autobiographies. She made a deliberate attempt to challenge the common structure of the autobiography by critiquing, changing, and expanding the genre. Her books center on themes such as racism, identity, family, and travel. Angelou is best known for her autobiographies, but she is also an established poet, although her poems have received mixed reviews.
Marguerite Johnson was born in St. Louis, Missouri, on April 4, 1928, the second child of Bailey Johnson, a doorman and a navy dietitian, and Vivian (Baxter) Johnson, a nurse and card dealer. Angelou's older brother, Bailey Jr., nicknamed Marguerite Maya, shortened from My or Mya Sister. When Angelou was three, and her brother four, their parents' calamitous marriage ended, and their father sent them to Stamps, Arkansas, alone by train to live with their paternal grandmother, Annie Henderson. In an astonishing exception to the harsh economics of African Americans of the time, Angelou's grandmother prospered financially during the Great Depression and World War II because the general store she owned sold needed basic commodities and because she made wise and honest investments.
Four years later, the children's father came to Stamps without warning and returned them to their mother's care in St. Louis. At the age of eight, while living with her mother, Angelou was sexually abused and raped by her mother's boyfriend, Mr. Freeman. She told her brother, who told the rest of their family. Freeman was found guilty, but was jailed for only one day. Four days after his release, he was murdered, probably by Angelou's uncles. Angelou became mute for almost five years, believing, as she has stated, I thought, my voice killed him; I killed that man, because I told his name. And then I thought I would never speak again, because my voice would kill anyone ... According to Marcia Ann Gillespie and her colleagues, who wrote a biography about Angelou, it was during this period of silence when Angelou developed her extraordinary memory, her love for books and literature, and her ability to listen and observe the world around her.
Shortly after Freeman's murder, Angelou and her brother were sent back to their grandmother once again. Angelou credits a teacher and friend of her family, Mrs. Bertha Flowers, with helping her speak again. Flowers introduced her to authors such as Charles Dickens, William Shakespeare, Edgar Allan Poe, Douglas Johnson, and James Weldon Johnson, authors that would affect her life and career, as well as Black female artists like Frances Harper, Anne Spencer, and Jessie Fauset. When Angelou was 14, she and her brother moved in with their mother once again; she had since moved to Oakland, California. During World War II, she attended George Washington High School while studying dance and drama on a scholarship at the California Labor School. Before graduating, she worked as the first Black female streetcar conductor in San Francisco. Three weeks after completing school, at the age of 17, she gave birth to her son, Clyde (who later changed his name to Guy Johnson).
Angelou's second autobiography, Gather Together in My Name, recounts her life from age 17 to 19 and depicts a single mother's slide down the social ladder into poverty and crime. Angelou worked as the front woman/business manager for prostitutes, restaurant cook, and prostitute. She moved through a series of relationships, occupations, and cities as she attempted to raise her son without job training or advanced education.
Adulthood and early career: 1951–61
Angelou's first album, Miss Calypso, produced in 1957, was made possible due to the popularity of her nightclub act.
In 1951, Angelou married Greek electrician, former sailor, and aspiring musician Tosh Angelos despite the condemnation of interracial relationships at the time and the disapproval of her mother. She took modern dance classes during this time, and met dancers and choreographers Alvin Ailey and Ruth Beckford. Angelou and Ailey formed a dance team, calling themselves Al and Rita, and performed Modern Dance at fraternal Black organizations throughout San Francisco, but never became successful. Angelou, her new husband, and son moved to New York City so that she could study African dance with Trinidadian dancer Pearl Primus, but they returned to San Francisco a year later.
After Angelou's marriage ended in 1954, she danced professionally in clubs around San Francisco, including the nightclub The Purple Onion, where she sang and danced calypso music. Up to that point she went by the name of Marguerite Johnson, or Rita, but at the strong suggestion of her managers and supporters at The Purple Onion she changed her professional name to Maya Angelou, a distinctive name that set her apart and captured the feel of her Calypso dance performances. During 1954 and 1955 Angelou toured Europe with a production of the opera Porgy and Bess. She began her practice of learning the language of every country she visited, and in a few years she gained proficiency in several languages. In 1957, riding on the popularity of calypso, Angelou recorded her first album, Miss Calypso, which was reissued as a CD in 1996. She appeared in an off-Broadway review that inspired the film Calypso Heat Wave, in which Angelou sang and performed her own compositions.
Angelou met novelist James O. Killens in 1959, and at his urging, moved to New York to concentrate on her writing career. She joined the Harlem Writers Guild, where she met several major African-American authors, including John Henrik Clarke, Rosa Guy, Paule Marshall, and Julian Mayfield, and was published for the first time. In 1960, after meeting civil rights leader Dr. Martin Luther King, Jr. and hearing him speak, she and Killens organized the legendary Cabaret for Freedom to benefit the Southern Christian Leadership Conference (SCLC), and she was named SCLC's Northern Coordinator. According to scholar Lyman B. Hagen, her contributions to civil rights as a fundraiser and SCLC organizer were successful and eminently effective. Angelou also began her pro-Castro and anti-apartheid activism during this time.
In 1961, Angelou performed in Jean Genet's The Blacks, along with Abbey Lincoln, Roscoe Lee Brown, James Earl Jones, Louis Gossett, Godfrey Cambridge, and Cicely Tyson. That year she met South African freedom fighter Vusumzi Make; they never officially married. She and her son Guy moved to Cairo with Make where Angelou worked as an associate editor at the weekly English-language newspaper The Arab Observer. In 1962 her relationship with Make ended, and she and Guy moved to Accra, Ghana, he to attend college, but he was seriously injured in an automobile accident. Angelou remained in Accra for his recovery and ended up staying there until 1965. She became an administrator at the University of Ghana, and was active in the African-American expatriate community. She was a feature editor for The African Review, a freelance writer for the Ghanaian Times, wrote and broadcast for Radio Ghana, and worked and performed for Ghana's National Theatre. She performed in a revival of The Blacks in Geneva and Berlin.
In Accra, she became close friends with Malcolm X during his visit in the early 1960s. Angelou returned to the U.S. in 1965 to help him build a new civil rights organization, the Organization of Afro-American Unity; he was assassinated shortly afterward. Devastated and adrift, she joined her brother in Hawaii, where she resumed her singing career, and then moved back to Los Angeles to focus on her writing career. She worked as a market researcher in Watts and witnessed the riots in the summer of 1965. She acted in and wrote plays, and returned to New York in 1967. She met her lifelong friend Rosa Guy and renewed her friendship with James Baldwin, whom she had met in Paris in the 1950s and called my brother, during this time. Her friend Jerry Purcell provided Angelou with a stipend to support her writing.
Angelou's friend James Baldwin was instrumental in the publication of her first autobiography.
In 1968, Martin Luther King asked Angelou to organize a march. She agreed, but postpones again, and in what Gillespie calls a macabre twist of fate, he was assassinated on her 40th birthday (April 4). Devastated again, she was encouraged out of her depression by her friend James Baldwin. As Gillespie states, If 1968 was a year of great pain, loss, and sadness, it was also the year when America first witnessed the breadth and depth of Maya Angelou's spirit and creative genius. Despite almost no experience, she wrote, produced, and narrated Blacks, Blues, Black!, a ten-part series of documentaries about the connection between blues music and Black Americans' African heritage and what Angelou called the Africanisms still current in the U.S. for National Educational Television, the precursor of PBS. Also in 1968, inspired at a dinner party she attended with Baldwin, cartoonist Jules Feiffer, and his wife Judy, and challenged by Random House editor Robert Loomis, she wrote her first autobiography, I Know Why the Caged Bird Sings, published in 1969, which brought her international recognition and acclaim.
Angelou's Georgia, Georgia, produced by a Swedish film company and filmed in Sweden, the first screenplay written by a Black woman, was released in 1972. She also wrote the film's soundtrack, despite having very little additional input in the filming of the movie. Angelou married Welsh carpenter and ex-husband of Germaine Greer, Paul du Feu, in San Francisco in 1973. In the next ten years, as Gillespie has stated, She had accomplished more than many artists hope to achieve in a lifetime. She worked as a composer, writing for singer Roberta Flack and composing movie scores. She wrote articles, short stories, TV scripts and documentaries, autobiographies and poetry, produced plays, and was named visiting professors of several colleges and universities. She was a reluctant actor, and was nominated for a Tony Award in 1973 for her role in Look Away. In 1977 Angelou appeared in a supporting role in the television mini-series Roots. She was given a multitude of awards during this period, including over thirty honorary degrees from colleges and universities from all over the world.
In the late 1970s, Angelou met Oprah Winfrey when Winfrey was a TV anchor in Baltimore, Maryland; Angelou would later become Winfrey's close friend and mentor. In 1981, Angelou and du Feu divorced. She returned to the southern United States in 1981, where she accepted the lifetime Reynolds Professorship of American Studies at Wake Forest University in Winston-Salem, North Carolina. From that point on, she considered herself a teacher who writes. Angelou taught a variety of subjects that reflected her interests, including philosophy, ethics, theology, science, theater, and writing.
In 1993, Angelou recited her poem On the Pulse of Morning at the inauguration of President Bill Clinton, becoming the first poet to make an inaugural recitation since Robert Frost at John F. Kennedy's inauguration in 1961. Her recitation resulted in more fame and recognition for her previous works, and broadened her appeal across racial, economic, and educational boundaries. The recording of the poem was awarded a Grammy Award. In June 1995, she delivered what Richard Long called her second 'public' poem, entitled A Brave and Startling Truth, which commemorated the 50th anniversary of the United Nations. Angelou achieved her goal of directing a feature film in 1996, Down in the Delta, which featured actors such as Alfre Woodard and Wesley Snipes. Since the 1990s, Angelou has actively participated in the lecture circuit in a customized tour bus, something she continued into her eighties. In 2000, she created a successful collection of products for Hallmark, including greeting cards and decorative household items. Over thirty years after Angelou began writing her life story, she completed her sixth autobiography A Song Flung Up to Heaven, in 2002. In 2013, at the age of 85, she published the seventh autobiography in her series, Mom & Me & Mom, which focused on her relationship with her mother.
Angelou campaigned for Senator Hillary Clinton in the Democratic Party in the 2008 presidential primaries. When Clinton's campaign ended, Angelou put her support behind Senator Barack Obama, who won the election and became the first African American president of the United States. She stated, We are growing up beyond the idiocies of racism and sexism. In late 2010, Angelou donated her personal papers and career memorabilia to the Schomburg Center for Research in Black Culture in Harlem. They consisted of over 340 boxes of documents that featured her handwritten notes on yellow legal pads for I Know Why the Caged Bird Sings, a 1982 telegram from Coretta Scott King, fan mail, and personal and professional correspondence from colleagues such as her editor Robert Loomis.
Evidence suggests that Angelou was partially descended from the Mende people of West Africa. A 2008 PBS documentary found that Angelou's maternal great-grandmother Mary Lee, who had been emancipated after the Civil War, became pregnant by her former white owner, John Savin. Savin forced Lee to sign a false statement accusing another man of being the father of her child. After indicting Savin for forcing Lee to commit perjury, and despite discovering that Savin was the father, a grand jury found him not guilty. Lee was sent to the Clinton County poorhouse in Missouri with her daughter, Marguerite Baxter, who became Angelou's grandmother. Angelou described Lee as that poor little Black girl, physically and mentally bruised.
The details of Angelou's life described in her seven autobiographies and in numerous interviews, speeches, and articles tend to be inconsistent. Critic Mary Jane Lupton has explained that when Angelou has spoken about her life, she has done so eloquently but informally and with no time chart in front of her. For example, she has been married at least twice, but has never clarified the number of times she has been married, for fear of sounding frivolous; according to her autobiographies and to Gillespie, she married Tosh Angelos in 1951 and Paul du Feu in 1973, and began her relationship with Vusumzi Make in 1961, but never formally married him. Angelou has one son Guy, whose birth was described in her first autobiography, one grandson, and two great-grandchildren, and according to Gillespie, a large group of friends and extended family. Angelou's mother Vivian Baxter and brother Bailey Johnson, Jr., both of whom were important figures in her life and her books, have died; her mother in 1991 and her brother in 2000 after a series of strokes. In 1981, the mother of her son Guy's child disappeared with him; it took eight years to find Angelou's grandson. In 2009, the gossip website TMZ erroneously reported that Angelou had been hospitalized in Los Angeles although she was alive and well in St. Louis, which resulted in rumors of her death and according to Angelou, concern with her friends and family worldwide.
According to Gillespie, it has been Angelou's preference that she be called Dr. Angelou by people outside of her family and close friends. As of 2008, she owned two homes in Winston-Salem, North Carolina, and a lordly brownstone in Harlem, full of her growing library of books she has collected throughout her life, artwork collected over the span of many decades, and well-stocked kitchens. Younge has reported that in her Harlem home resides several African wall hangings and Angelou's collection of paintings, including ones of several jazz trumpeters, a watercolor of Rosa Parks, and a Faith Ringgold work entitled Maya's Quilt Of Life. According to Gillespie, she hosted several celebrations per year at her main residence in Winston-Salem, including Thanksgiving; her skill in the kitchen is the stuff of legend—from haute cuisine to down-home comfort food. She combined her cooking and writing skills in her 2004 book Hallelujah! The Welcome Table, which featured 73 recipes, many of which she learned from her grandmother and mother, accompanied by 28 vignettes. She followed up with her second cookbook, Great Food, All Day Long: Cook Splendidly, Eat Smart in 2010, which focused on weight loss and portion control.
Beginning with I Know Why the Caged Bird Sings, Angelou has used the same writing ritual for many years. She would wake early in the morning and check into a hotel room, where the staff was instructed to remove any pictures from the walls. She would write on legal pads while lying on the bed, with only a bottle of sherry, a deck of cards to play solitaire, Roget's Thesaurus, and the Bible, and would leave by the early afternoon. She would average 10–12 pages of written material a day, which she edited down to three or four pages in the evening. Angelou went through this process to enchant herself, and as she has said in a 1989 interview with the British Broadcasting Corporation, relive the agony, the anguish, the Sturm und Drang. She placed herself back in the time she wrote about, even traumatic experiences like her rape in Caged Bird, in order to tell the human truth about her life. Angelou has stated that she played cards in order to get to that place of enchantment and in order to access her memories more effectively. She has stated, It may take an hour to get into it, but once I'm in it—ha! It's so delicious! She did not find the process cathartic; rather, she has found relief in telling the truth.
Angelou has written a total of seven autobiographies. According to scholar Mary Jane Lupton, Angelou's third autobiography Singin' and Swingin' and Gettin' Merry Like Christmas marked the first time a well-known African American autobiographer had written a third volume about her life. Her books stretch over time and place, from Arkansas to Africa and back to the U.S., and take place from the beginnings of World War II to the assassination of Martin Luther King, Jr. She published her seventh autobiography Mom & Me & Mom in 2013, at the age of 85. Critics have tended to judge Angelou's subsequent autobiographies in light of the first, with Caged Bird receiving the highest praise. Angelou has written five collections of essays, which writer Hilton Als called her wisdom books and homilies strung together with autobiographical texts. Angelou has used the same editor throughout her writing career, Robert Loomis, an executive editor at Random House; he retired in 2011 and has been called one of publishing's hall of fame editors. Angelou said regarding Loomis: We have a relationship that's kind of famous among publishers.
Angelou's long and extensive career also includes poetry, plays, screenplays for television and film, directing, acting, and public speaking. She is a prolific writer of poetry; her volume Just Give Me a Cool Drink of Water 'fore I Diiie (1971) was nominated for the Pulitzer Prize, and she was chosen by President Bill Clinton to recite her poem On the Pulse of Morning during his inauguration in 1993.
Angelou's successful acting career has included roles in numerous plays, films, and television programs, including her appearance in the television mini-series Roots in 1977. Her screenplay, Georgia, Georgia (1972), was the first original script by a Black woman to be produced and she was the first African American woman to direct a major motion picture, Down in the Delta, in 1998. Since the 1990s, Angelou actively participated in the lecture circuit, something she continued into her eighties.
